Jeff Bridgman Antique Flags
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Antique Flags


6-FOOT SHIP’S COMMISSION PENNANT WITH A 5.5” HOIST AND 13 STARS IN 2 STAGGERED ROWS, LIKELY PRODUCED FOR A PRIVATE VESSEL, circa 1892-1910


13 STAR ANTIQUE AMERICAN FLAG WITH A MEDALLION CONFIGURATION OF STARS, MADE FOR THE 1876 CENTENNIAL CELEBRATION


EXCEPTIONAL ANTIQUE AMERICAN FLAG WITH 38 GLAZED COTTON STARS, IN 3 DIFFERENT SIZES, ARRANGED IN A BEAUTIFULLY GRAPHIC, DOUBLE-WREATH STYLE MEDALLION, WITH TRIANGLES OF 4 STARS IN EACH CORNER, LIKELY MADE FOR THE 1876 CENTENNIAL, REFLECTS THE ERA WHEN COLORADO WAS THE MOST RECENT STATE TO JOIN THE UNION, 1876-1889


42 STARS ON AN ANTIQUE AMERICAN FLAG WITH A WAVE CONFIGURATION OF LINEAL COLUMNS, AN UNOFFICIAL STAR COUNT THAT REFLECTS THE ADDITION OF WASHINGTON STATE, MONTANA, AND THE DAKOTAS, circa 1889-1890


13 STARS IN THE BETSY ROSS PATTERN ON A SMALL-SCALE ANTIQUE AMERICAN FLAG MADE SOMETIME BETWEEN APPROXIMATELY 1910 AND THE 1926 SESQUICENTENNIAL OF AMERICAN INDEPENDENCE


13 STAR ANTIQUE AMERICAN PARADE FLAG, WITH A 3-2-3-2-3 CONFIGURATION OF STARS, AN EXTREMELY SCARCE AND UNUSUALLY LARGE VARIETY, MADE circa 1876-1899


44 STARS IN ZIGZAGGING ROWS ON A PRESS-DYED WOOL AMERICAN FLAG MADE BY THE HORSTMANN COMPANY IN PHILADELPHIA, REFLECTS THE PERIOD WHEN WYOMING WAS THE MOST RECENT STATE TO JOIN THE UNION, 1890-1896


44 STARS IN ZIGZAGGING, STAGGERED ROWS, ON ANTIQUE AMERICAN FLAG WITH SOMEWHAT ELONGATED PROPORTIONS AND STRONG COLORS, MADE IN THE ERA WHEN WYOMING WAS THE MOST RECENT STATE TO JOIN THE UNION, 1890-1896


44 STAR ANTIQUE AMERICAN FLAG WITH AN HOURGLASS ARRANGEMENT ON A DUSTY BLUE CANTON; REFLECTS THE ERA WHEN WYOMING WAS THE MOST RECENT STATE TO JOIN THE UNION, 1890-1896


38 STARS IN A RARE AND STRIKING CIRCLE-IN-A-SQUARE MEDALLION, WITH AN ENORMOUS CENTER STAR, MADE FOR THE 1876 CENTENNIAL CELEBRATION BY HORSTMANN BROTHERS OF PHILADELPHIA, A MAJOR MILITARY OUTFITTER
Antique Furniture


SUBSTANTIAL CANNON-LEG TABLE [ALTER] FROM THE GREGG POST OF THE GRAND ARMY OF THE REPUBLIC (G.A.R.) IN BELLFONTE, PENNSYLVANIA, MADE BY CHARLES J. NAYLOR OF PHILDELPHIA, ACTIVE 1870-1913


PAINTED, CENTRE COUNTY, PENNSYLVANIA BLANKET CHEST IN SALMON AND BLACK WITH FLORAL DECORATION, 3 DRAWERS, AND APPLIED, SPLAY FEET, circa 1815-1825


NEW ENGLAND BLANKET CHEST, PROBABLY OF MAINE ORIGIN, WITH SCALLOPED FEET AND SKIRT, PAINTED IN A TRANSLUCENT, OCHRE WHITE, WITH WONDERFUL, EARLY SURFACE, circa 1790-1820


NARROW PROFILE TALL CASE CLOCK, WITH WORKS ATTRIBUTED TO CINCINNATI CLOCK-MAKER LUMMAN WATSON, BEAUTIFULLY COMB-DECORATED IN RED OVER BLACK, WITH AN EXTREMELY UNUSUAL BASE THAT FEATURES A WHIMSICALLY INVERTED TAPER, POSSIBLY OF KENTUCKY OR TENNESSEE ORIGIN, circa 1810-1834


EXHUBERANTLY PAINTED, NEW ENGLAND TALL CASE CLOCK IN DARK UMBER, RED, & CHROME YELLOW DECORATION, WITH WOODEN WORKS BY RILEY WHITING, PLYMOUTH, CONNECTICUT, CA 1819-1835


ANTIQUE TWO-DOOR PAINTED QUEBEC CUPBOARD / SERVER IN ROBIN’S EGG BLUE WITH RED TRIM, 1810-30


UNUSUAL FORM PIE SAFE WITH LANTERN-STYLE TINS AND STRIKING, TOMATO RED PAINT, CIRCA 1840


QUEEN ANNE PERIOD BLANKET CHEST, CONNECTICUT RIVER VALLEY, PROBABLY MASSACHUSETTS, WITH BLACK DECORATION ON A RED GROUND, THAT INCLUDES TWO WHIMSICAL FACES, ca 1740-1760


MAHANTNGO VALLEY PENNSYLVANIA BLANKET CHEST WITH UNICORNS


PENNSYLVANIA, PAINT-DECORATED AND GILDED SETTEE WITH THE RARE INCLUSION OF BIRDS AND BUTTERFLIES, ca 1845-1865
Folk Art


BEAUTIFUL 19TH CENTURY TAXIDERMY DIORAMA OF BOBWHITE QUAIL, WITH A WALLPAPER-DECORATED STRUCTURE, BY MADISON BURNETT, A FRAMER IN KENDALL, NEW YORK (LAKE ONTARIO), circa 1890


SUBSTANTIAL ROSEWOOD CANE WITH A HAND-CARVED BUFFALO HEAD, CA 1940


CARVED EAGLE ON A CIRCULAR PLAQUE, IN A VOLUPTOUOUS AND WHIMSICAL STYLE, WITH WINGS REMINISCNET OF THOSE ON TOMBSTONE ANGELS, 3rd QUARTER 19th CENTURY


ROBUST ORNAMENTAL CARVING OF A PRIZED RAM BY WEATHERVANE CARVER HENRY LEACH (1811-1885) OF MASSACHUSETTS, SIGNED & DATED 1876


EXCEPTIONAL, PAINT-DECORATED ODD FELLOWS HEART-IN-HAND STAFF, WITH GREAT FOLK QUALITIES, circa 1875


CARVED, SPREAD-WINGED EAGLE PEDIMENT WITH TERRIFIC FORM AND EXCEPTIONAL SURFACE, AMERICAN, circa 1850-1880


BLACK, TASSELLED, EDWARDIAN STYLE PARASOL / UMBRELLA, MADE BY FOLLMER, CLOGG & Co. OF LANCASTER, PENNSYLVANIA, MODIFIED FOR SUFFRAGETTE USE BY WAY OF AN APPLIED, CHIFFON SILK PANEL WITH FANCIFUL, SCRIPT-EMBROIDERY THAT READS: “GIVE WOMEN THE VOTE,” circa 1900-1915


PAIR OF MAMMOTH, PAINT-DECORATED, AMERICAN LONG DRUMS OF EXQUISITE QUALITY, BOTH PAINTED ALL-THE-WAY AROUND, ONE WITH A DYNAMIC EAGLE & 14 STARS ON A PRUSSIAN BLUE GROUND, THE OTHER WITH A GOLD EAGLE & 16 STARS, IN A BLUE WREATH, ON A YELLOW & ORANGE GRAIN-DECORATED GROUND, BOTH MADE circa 1845 - 1865


CARVED OWL BY HENRY WINTER, SETAUKET, NEW YORK, circa 1920-1930's


NATIVE AMERICAN BEADED WATCH FOB WITH A STYLIZED FEDERAL EAGLE & SHIELD AND CROSSED AMERICAN FLAGS, circa 1915-1920’s
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OIL ON WOODEN PANEL, UNSIGNED, CIRCA 1810-1830’S; THIS VIEW AFTER A 1796 ENGRAVING BY EDWARD SAVAGE (1761-1817): “LIBERTY IN THE FORM OF THE GODDESS OF YOUTH, GIVING SUPPORT TO THE BALD EAGLE”


SUFFRAGE "BLUEBIRD": ENAMELED TIN SIGN, COMMISSIONED BY GERTRUDE LEONARD & TERESA CROWLEY FOR THE MASSACHUSETTS WOMAN SUFFRAGE ASSOCIATION, FOR ITS EASTERN CAMPAIGN, 1915


EXCEPTIONAL HAND-FORGED BRASS KETTLE, MADE & SIGNED circa 1800-1820 BY THE HUDSON’S BAY COMPANY, WHICH HELD A DEFACTO MONOPOLY OVER THE NORTH AMERICAN FUR TRADE FROM APPROXIMATELY 1670-1869; THIS EXAMPLE OF A TYPE TRADED WITH NATIVE AMERICANS FOR FURS


MID-18th CENTURY CAST IRON FIRE BACK WITH A LARGE, THREE-LIMBED TREE, A PLOW, TULIPS, AND BIBLICAL VERSE; ATTRIBUTED TO IRONMASTER THOMAS MAYBURY AT HEREFORD FURNACE, BERKS COUNTY, PENNSYLVANIA, DATED 1747


MASTERPIECE QUALITY SCHERENSCHNITTE, WITH A PATRIOTIC EAGLE AND REFERENCE TO THE 1844 NEW YORK CITY MAYORAL ELECTION OF PUBLISHING MAGNATE JAMES HARPER, SIGNED BY NY CAPENTER ROBERT W. LAWRENCE


ICONIC PAINTING OF AN AMERICAN EAGLE BEFORE A CIVIL WAR NAVAL SCENE, WITH A GRAND ARMY OF THE REPUBLIC BADGE IN ITS BEAK, AN AMERICAN FLAG, AND A FEDERAL SHIELD, circa 1872-1890


RARE & UNUSUAL WOMEN’S SUFFRAGE PIN CUSHION, IN AN ENDEARING, DOLL-LIKE FORM, MADE OF HAND-PAINTED VELVETEEN, ENGLISH, circa 1880-1910


DIMINUTIVE PAINTING OF PHEASANT, OIL ON WOODEN PANEL, ENGLISH, circa 1860-80


PAINTING OF GEORGE WASHINGTON IN OIL ON CANVAS, AN EARLY EXAMPLE, RENDERED circa 1830-1850's, A VERY PLEASING AND WELL-EXECUTED COPY OF GILBERT STUART'S ATHENAEUM PORTRAIT


NATIVE AMERICAN “GOOD LUCK” HORSESHOE BEADWORK WHIMSEY, IROQUOIS, UPSTATE, NEW YORK, circa 1900-1910
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42 STARS ON AN ANTIQUE AMERICAN FLAG WITH SCATTERED STAR POSITIONING, REFLECTS THE ADDITION OF WASHINGTON STATE, MONTANA, AND THE DAKOTAS, NEVER AN OFFICIAL STAR COUNT, circa 1889-1890


"RALLY FREEMEN! COME ONE! COME ALL! AND SHOW YOUR LOVE FOR THE BEST COUNTRY ON THE FACE OF THE EARTH." A CIVIL WAR RECRUITMENT BROADSIDE FOR THE UNION LEAGUE OF PHILADELPHIA, COMPANY F, DESIGNATED AS THE 187TH PENNSYLVANIA INFANTRY, ESCORTED LINCOLN'S BODY WITH PHILADELPHIA'S 1ST CITY TROOP


13 STAR ANTIQUE AMERICAN FLAG IN THE BETSY ROSS PATTERN, ONE OF JUST THREE EXAMPLES THAT I HAVE ENCOUNTERED THAT PRE-DATE THE 1890’s; AN EXTRAORDINARY FIND, CIVIL WAR PERIOD (1861-1865) OR JUST AFTER, EXTREMELY LARGE AMONG ITS COUNTERPARTS OF ALL PERIODS IN THIS DESIGN


13 STARS WITH SHORT, CONICAL ARMS ON A SMALL SCALE, ANTIQUE AMERICAN FLAG MADE DURING THE LAST DECADE F THE 19TH CENTURY; POSSIBLY OF PHILADELPHIA ORIGIN; FORMERLY IN THE COLLECTION OF BOLESLAW & MARIE D'OTRANGE MASTAI, THE FIRST MAJOR COLLECTORS TO PUBLISH A PICTORIAL REFERENCE (KNOPF, NEW YORK, 1973):


44 STAR ANTIQUE AMERICAN FLAG WITH AN HOURGLASS FORMATION ON A BRILLIANT BLUE CANTON; REFLECTS THE ERA WHEN WYOMING WAS THE MOST RECENT STATE TO JOIN THE UNION, 1890-1896


JACQUARD-WOVEN IMAGE OF ABRAHAM LINCOLN BY FRANÇCOIS CARQUILLAT, FRENCH, circa 1861-1876


UNUSUAL CONFEDERATE FLAG IN THE THIRD NATIONAL FORMAT, PRINTED ON HEAVY WEIGHT PARCHMENT, PROBABLY PRODUCED BETWEEN 1884 AND 1910, IN THE EARLIEST PERIOD OF THE UDC AND THE UCV


45 STARS ON AN ANTIQUE AMERICAN PARADE FLAG WITH A MEDALLION CONFIGURATION, A RARE FEATURE IN THIS PERIOD, 1896-1908, UTAH STATEHOOD


SUFFRAGETTE RIBBON WITH AN ALLEGORICAL FIGURE STANDING UPON THE U.S. CONSTITUTION BEFORE A LION & LAMB, WITH A BROKEN SWORD, AN AMERICAN FLAG, AND A HOST OF GREAT SLOGANS, AMONG THE EARLIEST KNOWN AMERICAN SUFFRAGE TEXTILES, circa 1880-1890


GOLDEN YELLOW SUFFRAGETTE RIBBON, MADE FOR CARRIE CHAPMAN CATT'S "WOMAN SUFFRAGE PARTY" OF NEW YORK CITY, circa 1912-17