 ANTIQUE, BATWING, LEATHER CHAPS WITH GREAT PATINA AND “TEXAS” SPELLED OUT IN THE STUDS, circa 1915-1930
 BEAUTIFUL 19TH CENTURY TAXIDERMY DIORAMA OF BOBWHITE QUAIL, WITH A WALLPAPER-DECORATED STRUCTURE, BY MADISON BURNETT, A FRAMER IN KENDALL, NEW YORK (LAKE ONTARIO), circa 1890
 OIL ON WOODEN PANEL, UNSIGNED, CIRCA 1810-1830’S; THIS VIEW AFTER A 1796 ENGRAVING BY EDWARD SAVAGE (1761-1817): “LIBERTY IN THE FORM OF THE GODDESS OF YOUTH, GIVING SUPPORT TO THE BALD EAGLE”
 SUFFRAGE "BLUEBIRD": ENAMELED TIN SIGN, COMMISSIONED BY GERTRUDE LEONARD & TERESA CROWLEY FOR THE MASSACHUSETTS WOMAN SUFFRAGE ASSOCIATION, FOR ITS EASTERN CAMPAIGN, 1915
 EXCEPTIONAL HAND-FORGED BRASS KETTLE, MADE & SIGNED circa 1800-1820 BY THE HUDSON’S BAY COMPANY, WHICH HELD A DEFACTO MONOPOLY OVER THE NORTH AMERICAN FUR TRADE FROM APPROXIMATELY 1670-1869; THIS EXAMPLE OF A TYPE TRADED WITH NATIVE AMERICANS FOR FURS
 MID-18th CENTURY CAST IRON FIRE BACK WITH A LARGE, THREE-LIMBED TREE, A PLOW, TULIPS, AND BIBLICAL VERSE; ATTRIBUTED TO IRONMASTER THOMAS MAYBURY AT HEREFORD FURNACE, BERKS COUNTY, PENNSYLVANIA, DATED 1747
 MASTERPIECE QUALITY SCHERENSCHNITTE, WITH A PATRIOTIC EAGLE AND REFERENCE TO THE 1844 NEW YORK CITY MAYORAL ELECTION OF PUBLISHING MAGNATE JAMES HARPER, SIGNED BY NY CAPENTER ROBERT W. LAWRENCE
 CARVED EAGLE ON A CIRCULAR PLAQUE, IN A VOLUPTUOUS AND WHIMSICAL STYLE, WITH WINGS REMINISCENT OF THOSE ON TOMBSTONE ANGELS, 3rd QUARTER 19th CENTURY
 ICONIC PAINTING OF AN AMERICAN EAGLE BEFORE A CIVIL WAR NAVAL SCENE, WITH A GRAND ARMY OF THE REPUBLIC BADGE IN ITS BEAK, AN AMERICAN FLAG, AND A FEDERAL SHIELD, circa 1872-1890
 RARE & UNUSUAL WOMEN’S SUFFRAGE PIN CUSHION, IN AN ENDEARING, DOLL-LIKE FORM, MADE OF HAND-PAINTED VELVETEEN, ENGLISH, circa 1880-1910
 DIMINUTIVE PAINTING OF PHEASANT, OIL ON WOODEN PANEL, ENGLISH, circa 1860-80
 PAINTING OF GEORGE WASHINGTON IN OIL ON CANVAS, AN EARLY EXAMPLE, RENDERED circa 1830-1850's, A VERY PLEASING AND WELL-EXECUTED COPY OF GILBERT STUART'S ATHENAEUM PORTRAIT
 NATIVE AMERICAN “GOOD LUCK” HORSESHOE BEADWORK WHIMSEY, IROQUOIS, UPSTATE, NEW YORK, circa 1900-1910
 EXPERTLY CARVED AMERICAN FEDERAL EAGLE, LIKELY OF THE CIVIL WAR PERIOD, WITH THE BACKGROUND EXECUTED IN UNUSUALLY DEEP RELIEF & THE HEAD DIRECTED TOWARDS A CLUSTER OF ARROWS, circa 1861-1863
 PASSAMAQUODDY (MAINE) NATIVE AMERICAN SEWING BASKET WITH AN EXTRAORDINARILY EXUBERANT DESIGN, DATED 1891 WITH A PENCILED INSCRIPTION
 CARVED EAGLE FROM THE SHOP OF JOHN HALEY BELLAMY, THE MOST RENOWNED CARVER OF THE FORM, w/ WONDERFUL, PUMPKIN BROWN / MUSTARD PAINT & EXCELLENT SURFACE, circa 1875-1890’s
 ANTIQUE, AMERICAN, PAINTED BACKGAMMON GAME BOARD w/ EXAGGERATEDLY STEEP PIPS THAT RESEMBLE ICICLES OR JAGGED TEETH, GENEROUS DEPTH, A MOLDED EDGE, & EXCEPTIONAL SURFACE, circa 1840-60
 MID-18th CENTURY STEPBACK CUPBOARD w/ LOLLIPOP RETURNS, DENTAL MOLDING, AND EXCEPTIONAL, SALMON RED-PAINTED SURFACE, MOHAWK VALLEY, NEW YORK
 FAUX BOIS PEDESTAL TABLE WITH TERRIFIC FORM & SURFACE, FRENCH, circa 1930
 SUBSTANTIAL PHEASANT ANDIRONS, SOLID CAST IRON, ATTRIBUTED TO A LANCASTER COUNTY PENNSYLVANIA FOUNDRY, circa 1880-1915
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