 SUFFRAGE "BLUEBIRD": ENAMELED TIN SIGN, COMMISSIONED BY GERTRUDE LEONARD & TERESA CROWLEY FOR THE MASSACHUSETTS WOMAN SUFFRAGE ASSOCIATION, FOR ITS EASTERN CAMPAIGN, 1915
 EXCEPTIONAL HAND-FORGED BRASS KETTLE, MADE & SIGNED circa 1800-1820 BY THE HUDSON’S BAY COMPANY, WHICH HELD A DEFACTO MONOPOLY OVER THE NORTH AMERICAN FUR TRADE FROM APPROXIMATELY 1670-1869; THIS EXAMPLE OF A TYPE TRADED WITH NATIVE AMERICANS FOR FURS
 MID-18th CENTURY CAST IRON FIRE BACK WITH A LARGE, THREE-LIMBED TREE, A PLOW, TULIPS, AND BIBLICAL VERSE; ATTRIBUTED TO IRONMASTER THOMAS MAYBURY AT HEREFORD FURNACE, BERKS COUNTY, PENNSYLVANIA, DATED 1747
 MASTERPIECE QUALITY SCHERENSCHNITTE, WITH A PATRIOTIC EAGLE AND REFERENCE TO THE 1844 NEW YORK CITY MAYORAL ELECTION OF PUBLISHING MAGNATE JAMES HARPER, SIGNED BY NY CAPENTER ROBERT W. LAWRENCE
 ICONIC PAINTING OF AN AMERICAN EAGLE BEFORE A CIVIL WAR NAVAL SCENE, WITH A GRAND ARMY OF THE REPUBLIC BADGE IN ITS BEAK, AN AMERICAN FLAG, AND A FEDERAL SHIELD, circa 1872-1890
 RARE & UNUSUAL WOMEN’S SUFFRAGE PIN CUSHION, IN AN ENDEARING, DOLL-LIKE FORM, MADE OF HAND-PAINTED VELVETEEN, ENGLISH, circa 1880-1910
 DIMINUTIVE PAINTING OF PHEASANT, OIL ON WOODEN PANEL, ENGLISH, circa 1860-80
 PAINTING OF GEORGE WASHINGTON IN OIL ON CANVAS, AN EARLY EXAMPLE, RENDERED circa 1830-1850's, A VERY PLEASING AND WELL-EXECUTED COPY OF GILBERT STUART'S ATHENAEUM PORTRAIT
 NATIVE AMERICAN “GOOD LUCK” HORSESHOE BEADWORK WHIMSEY, IROQUOIS, UPSTATE, NEW YORK, circa 1900-1910
 EXPERTLY CARVED AMERICAN FEDERAL EAGLE, LIKELY OF THE CIVIL WAR PERIOD, WITH THE BACKGROUND EXECUTED IN UNUSUALLY DEEP RELIEF & THE HEAD DIRECTED TOWARDS A CLUSTER OF ARROWS, circa 1861-1863
 PASSAMAQUODDY (MAINE) NATIVE AMERICAN SEWING BASKET WITH AN EXTRAORDINARILY EXUBERANT DESIGN, DATED 1891 WITH A PENCILED INSCRIPTION
 CARVED EAGLE FROM THE SHOP OF JOHN HALEY BELLAMY, THE MOST RENOWNED CARVER OF THE FORM, w/ WONDERFUL, PUMPKIN BROWN / MUSTARD PAINT & EXCELLENT SURFACE, circa 1875-1890’s
 ANTIQUE, AMERICAN, PAINTED BACKGAMMON GAME BOARD w/ EXAGGERATEDLY STEEP PIPS THAT RESEMBLE ICICLES OR JAGGED TEETH, GENEROUS DEPTH, A MOLDED EDGE, & EXCEPTIONAL SURFACE, circa 1840-60
 MID-18th CENTURY STEPBACK CUPBOARD w/ LOLLIPOP RETURNS, DENTAL MOLDING, AND EXCEPTIONAL, SALMON RED-PAINTED SURFACE, MOHAWK VALLEY, NEW YORK
 FAUX BOIS PEDESTAL TABLE WITH TERRIFIC FORM & SURFACE, FRENCH, circa 1930
 SUBSTANTIAL PHEASANT ANDIRONS, SOLID CAST IRON, ATTRIBUTED TO A LANCASTER COUNTY PENNSYLVANIA FOUNDRY, circa 1880-1915
 OCEAN WAVES PATTERN MENNONITE CRIB QUILT, MADE OF WHITE CALICO SHIRTING AND TURKEY RED COTTON, PENNSYLVANIA OR NEW YORK STATE ORIGIN, circa 1880-1890’s
 PRINCESS FEATHER QUILT IN PATRIOTIC COLORS, STUNNING & HIGHLY UNUSUAL WITH SOLID RED ON A DARK BLUE GROUND, CIRCA 1870-1885
 PAINTED, MECHANICAL, CAST IRON BANK WITH AN EAGLE FEEDING EAGLETS, MADE BY STEVENS, circa 1883
 ENGLISH POINTER ON POINT OVER PHEASANT, BY OR IN THE CIRCLE OF PHILIP REINAGLE (1749-1833), BRITISH, OIL ON CANVAS, circa 1820
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